Charlotte Marshall A2 Media
Monday, 28 June 2010
Codes and conventions of a documentry
Extract 1
Extract 2
As a class we watched two clips from professional television interviews. We identified the codes and conventions of the above interviews. Afterwards, as a class we discussed the codes and conventions and took note. These codes and conventions below can all be applied to most television documentaries.
The way interviews are filmed & edited
Positioned to the left or right of the frame
If more than one position is used the positioning changed.
They are all filmed in medium shot, medium close up or close up.
Questions are edited out.
The mise eh scen of the interview reinforces the context of the interview and/or is relevant to the interview providing more information about them in turns of occupation or personal environment.
Graphics are used to anchor who the person is on the screen and their relevance to the topic.
Always look at the interviewer, never the camera, never gives direct address.
Positioning of the interviewer is therefore important. If the interviewee is on the right of the frame the interviewer is to the left of the camera and vice versa.
Framing follows the rule of thirds. The eye line of the interviewee is always one third of the way down the screen regardless of the framing; even in close up.
Interviews are never filmed with a light source behind the interviewee. IE. in front of a window or with the sun behind them, the light is always in front of them, behind the camera.
cuts are always edited into the interviews to break them up and illustrate what they're talking about and to avoid jump cuts when the questions are edited out.
All interviewees are sat down so that they remain still which makes for constant filming.
Cuts are always archive material
Cut aways are suggested by something said in the interview and therefore filmed after the interview.
Sometimes aspects of the interviewee are filmed with another camera such as extreme close up of eyes, mouth or hands.
Documentaries:
Cutting is the most common edit - it prevents distraction from the documentary itself.
Editing should be invisible except on archive material and actuality footage.
The voice over holds the narrative together.
The gender and age of the voice over is sometimes relevant depending on the topic.
The voice over is usually delivered in calm and clear standard English.
Creative and varied camera work is used.
Interviews follow conventional framing.
The camera, during an interview, is usually static - on an tripod
When the archive material is still images there is usually camera movement.
A lot of archive material is used in relevance to what is being said.
If chroma key is used it shouldn't distract from the interview.
Any background music should be relevant and not obstructive to what is being said.
Graphics are used to anchor the person, relevance, time or place to the image.
Interviews are well placed - never longer than one minute
Other visuals are used over the interview.
Newer Posts
Home
Subscribe to:
Posts (Atom)